Showa era · refined · cool · bold

Olive Buff & Nile Blue +2

Plate 330 from Sanzo Wada's 1933 Dictionary of Color Combinations — Olive Buff, Nile Blue, Salvia Blue, Green Blue.

Olive Buff

#c1c494

Nile Blue

#bce4e5

Salvia Blue

#97acc8

Green Blue

#099197

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About this combination

Combination 330 of 348 in Wada's six-volume 1933 work. A 4-colour grouping of Olive Buff, Nile Blue, Salvia Blue, Green Blue, as documented in the original plates.

Historical context

Plate 330 of Wada's 348 anchors Olive Buff, Nile Blue, Salvia Blue and Green Blue in the yellow family — a 4-colour grouping with a refined, cool, bold character, recorded in Sanzo Wada's 1933 Dictionary of Color Combinations (six volumes; Seigensha Art Publishing 2010 reprint), and in the public domain by age. Its strongest pairing — Nile Blue on Green Blue — reaches a contrast ratio of 2.79:1, below the WCAG text-contrast floor, so it reads best in decorative blocks rather than text pairings.

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Questions about Olive Buff & Nile Blue +2

What colors are in the "Olive Buff & Nile Blue +2" palette?
Olive Buff & Nile Blue +2 contains 4 colors: Olive Buff (#c1c494), Nile Blue (#bce4e5), Salvia Blue (#97acc8), Green Blue (#099197). From Sanzo Wada's "A Dictionary of Color Combinations" (1933).
When was the "Olive Buff & Nile Blue +2" palette created?
This palette is from Sanzo Wada's 1933 reference work "A Dictionary of Color Combinations" (Seigensha Art Publishing 2010 reprint). The source work is in the public domain.
What style or era does the "Olive Buff & Nile Blue +2" palette belong to?
Olive Buff & Nile Blue +2 is associated with the showa era and emphasizes yellow tones. Plate 330 from Sanzo Wada's 1933 Dictionary of Color Combinations — Olive Buff, Nile Blue, Salvia Blue, Green Blue.
Can I use the "Olive Buff & Nile Blue +2" palette in my own design?
Yes. The source palette by Sanzo Wada (1933) is in the public domain. This page's curation and metadata are CC BY 4.0 licensed — attribution to colorcombinations.org appreciated but not required for the colors themselves.

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