Edo era · bold · solemn · refined

Pale Blue & Vermillion 浅葱と朱

The faded blue of Shinsengumi jackets against shrine-gate vermillion — restrained power.

浅葱

Asagi

#6B9BB0

Pale blue-green

朱

Shu

#D8453A

Shrine vermillion

胡粉

Gofun

#F4EEE0

Chalk white

墨

Sumi

#2B2B2B

Ink black

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About this combination

Asagi, a pale teal-blue, was the color of the Shinsengumi's haori in late-Edo Kyoto. Shu, vermillion, is the color of torii gates and temple pillars. Together they carry the tension of duty and devotion.

Where it works

  • Posters with a signal vs. ground dynamic
  • Games or films with a historical setting
  • Masculine editorial work

Historical context

This editorial combination anchors Asagi, Shu, Gofun and Sumi in the blue family — a 4-colour grouping with a bold, solemn, refined character. It is an original composition by the editors of colorcombinations.org, built with Wada's method from traditional Japanese shikisai colour names associated with the Edo era; it is not one of the 348 plates in Wada's 1933 Dictionary of Color Combinations. Its strongest pairing — Gofun on Sumi — reaches a contrast ratio of 12.24:1, clearing the WCAG AAA bar for body text, so it holds up for text-on-colour layouts as well as decorative use.

Studio

Taking Pale Blue & Vermillion off the screen

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  • ...onto paper

    Start here if the palette gets printed. Screen colour and ink colour are not the same colour, and this is the deck that translates between them.

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  • ...onto a screen you can trust

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  • ...by hand

    Start here if you are mixing it. Wada's plates were flat printed colour; gansai pans are the closest everyday medium to them.

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<iframe src="https://colorcombinations.org/embed/asagi-shu/" width="320" height="80" frameborder="0" style="border-radius:6px;overflow:hidden;" title="Pale Blue & Vermillion color palette — colorcombinations.org"></iframe>

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Questions about Pale Blue & Vermillion

What colors are in the "Pale Blue & Vermillion" palette?
Pale Blue & Vermillion (浅葱と朱) contains 4 colors: Asagi (#6B9BB0), Shu (#D8453A), Gofun (#F4EEE0), Sumi (#2B2B2B). An original editorial palette by colorcombinations.org, using traditional Japanese colour names.
When was the "Pale Blue & Vermillion" palette created?
This palette was composed by the editors of colorcombinations.org and first published in April 2026. It uses traditional Japanese colour names associated with the edo era; it is not a plate from Sanzo Wada's 1933 dictionary.
What style or era does the "Pale Blue & Vermillion" palette belong to?
Pale Blue & Vermillion is associated with the edo era and emphasizes blue tones. The faded blue of Shinsengumi jackets against shrine-gate vermillion — restrained power.
Can I use the "Pale Blue & Vermillion" palette in my own design?
Yes. This editorial palette and its metadata are CC BY 4.0 licensed — attribution to colorcombinations.org appreciated; the hex values themselves are facts and free to use.

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