Showa era · refined · warm

Corinthian Pink & Venice Green +1

Plate 128 from Sanzo Wada's 1933 Dictionary of Color Combinations — Corinthian Pink, Venice Green, Light Mauve.

Corinthian Pink

#f8b6ba

Venice Green

#62c6bf

Light Mauve

#9a72aa

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About this combination

Combination 128 of 348 in Wada's six-volume 1933 work. A 3-colour grouping of Corinthian Pink, Venice Green, Light Mauve, as documented in the original plates.

Historical context

Plate 128 of Wada's 348 anchors Corinthian Pink, Venice Green and Light Mauve in the red family — a 3-colour grouping with a refined, warm character, recorded in Sanzo Wada's 1933 Dictionary of Color Combinations (six volumes; Seigensha Art Publishing 2010 reprint), and in the public domain by age. Its strongest pairing — Corinthian Pink on Light Mauve — reaches a contrast ratio of 2.31:1, below the WCAG text-contrast floor, so it reads best in decorative blocks rather than text pairings.

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Questions about Corinthian Pink & Venice Green +1

What colors are in the "Corinthian Pink & Venice Green +1" palette?
Corinthian Pink & Venice Green +1 contains 3 colors: Corinthian Pink (#f8b6ba), Venice Green (#62c6bf), Light Mauve (#9a72aa). From Sanzo Wada's "A Dictionary of Color Combinations" (1933).
When was the "Corinthian Pink & Venice Green +1" palette created?
This palette is from Sanzo Wada's 1933 reference work "A Dictionary of Color Combinations" (Seigensha Art Publishing 2010 reprint). The source work is in the public domain.
What style or era does the "Corinthian Pink & Venice Green +1" palette belong to?
Corinthian Pink & Venice Green +1 is associated with the showa era and emphasizes red tones. Plate 128 from Sanzo Wada's 1933 Dictionary of Color Combinations — Corinthian Pink, Venice Green, Light Mauve.
Can I use the "Corinthian Pink & Venice Green +1" palette in my own design?
Yes. The source palette by Sanzo Wada (1933) is in the public domain. This page's curation and metadata are CC BY 4.0 licensed — attribution to colorcombinations.org appreciated but not required for the colors themselves.

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